What We Do

Lane Art Management builds important collections reflecting our client’s personal aesthetic while speaking the language of design.

Clients. Artists. Gallerists. Auction houses. Interior designers. Framers. Building relationships every step along the way will always be at the core of what we do. 

We procure art on your behalf - a single fantastic painting, a curated collection or somewhere in between. Then, oversee everything from sourcing to framing to installation. 

We realize that special paintings, prints and works on paper come from everywhere, so we travel to fine art fairs, distinguished galleries, and artists’ studios around the world. This allows us to keep abreast of the latest trends in the art market and receive early access to the most collectable artworks and sculpture.

Recent Acquisitions

Works by Hedrik Kerstens, Claire Sherman, Jim Dine and Massimo Listri. Click each image for more information.

Our Portfolio

Why Us

The talent behind Lane Art Management has been successful for over ten years, utilizing their extensive gallery and private art consulting experience to specialize in client facing relationships.

Kate Lane Ferraro - Principal

Kate is a graduate of the School of the Art Institute of Chicago, and holds a Masters of Art in Modern Art History. She has spent nearly 15 years in the fine art field, and has in depth knowledge of art and design curating, acquisition and management.

Kate is known as much for her engaging and professional personality as she is for her impeccable taste. Her personal approach to each project ensures a truly collaborative experience resulting in artwork placements that makes clients feel good while making their home remarkable.

 Get In Touch

We’d love to hear from you.

Artist Highlight - Emma Amos

Emma Amos (b. 1937 Atlanta, GA - d. 2020 Bedford, NH) was a pioneering artist, educator, and activist. A dynamic painter and masterful colorist, her commitment to interrogating the art-historical status quo yielded a body of vibrant and intellectually rigorous work. Influenced by modern Western European art, Abstract Expressionism, the Civil Rights movement and feminism, Amos was drawn to exploring the politics of culture and issues of racism, sexism, and ethnocentrism in her art. “It’s always been my contention,” Amos once said, “that for me, a black woman artist, to walk into the studio is a political act.”

An artist known for pushing technical and thematic boundaries, Amos unabashedly made art that reflected the experience of black women, even when such art elicited little to no response from her male peers and critics. Amos’s vivid and powerful paintings are frequently a celebration of the black body, consistently reminding the viewer, the critic and the art world at large of the undeniably important presence of the black and female body that has so often been overlooked.